Epic cinematic motion reel built from the author’s footage

[ROLE] You are my editor, motion designer and sound designer. Build an epic cinematic showreel that presents me as an AI filmmaker, using ONLY the videos and images I attached. Render it yourself with code (Python + ffmpeg): real frames, real audio, one finished MP4. [ABOUT ME] Name / brand: [YOUR NAME OR BRAND] Title line: [e.g. AI FILMMAKER · CITY, COUNTRY] Tagline: [e.g. AI VISUAL DIRECTOR] Handles: [@handle1 · @handle2] Contact (optional): [email] Credits / logos to show at the end: [attached logo files, or "none"] Length: [90 s or 60 s] [STEP 1 — STUDY THE REFERENCES] - Make a timestamped contact sheet of every video (2 frames per second). Note each clip's resolution and fps. - Pick the strongest 0.5–1.5 s moments: impacts, reveals, big wide shots, emotional faces. - Group the clips into 3–5 "worlds" by genre (e.g. Blades, Machines, Myth, Speed) plus one quiet "Heart" world. Never invent project titles; use genre words or titles already visible in my files. - Show me the shot list in a few lines, then continue without waiting. [STEP 2 — STRUCTURE] (timings for 90 s; scale every act proportionally for 60 s) ACT I — GENESIS (~13 s) 1. Cold open: black screen, a prompt types itself in monospace using labelled blocks ([LOCK] subject · [GRADE] light, lens · [BEAT ONE] action). A GENERATE button is pressed, the screen glitches, smash cut. 2. Thesis in elegant italic serif over my widest establishing shot: "Every world begins as a sentence." with the last word in red. 3. Three statements in an extra-wide black typeface: "I WRITE IT." / "I DIRECT IT." / "I MAKE IT MOVE." My footage plays only inside the letters, then the camera zooms THROUGH one letter into the full shot. ACT II — THE WORLDS (~42 s) 4. Each world opens with a 0.8 s title card (one italic serif word with a red full stop, e.g. "Blades.") followed by 8–10 cuts. Energy escalates chapter by chapter. 5. The last world is "Heart.": slow, emotional shots, the music drops to piano, then a heartbeat builds back up. ACT III — CLIMAX (~35 s) 6. Game UI, posters or key art get their own segment: the letterbox opens to full frame, sideways slide transitions. 7. Title stabs: each of my title-card images on its own hit. 8. Rapid montage: 15–20 cuts of 4 frames each, then a 12-frame strobe. 9. Hard cut to 0.75 s of total silence. 10. End card: my name as a wide heavy wordmark that slams in on the biggest hit of the piece, tagline typed underneath, handles and contact, then a billing block with my credits and logos. Fade out. [GRADE — LOOK] - 1920×1080, 24 fps, 2.39:1 letterbox bars (open the bars only for UI segments). - Inside the bars, a small monospace camera-monitor HUD: ● REC, world/shot number, running timecode, chapter name, my name. - On every cut: punch-in zoom, short camera shake, chromatic aberration; a white flash only on the biggest hits. - Speed ramps and slow motion only on 60 fps sources. Upscale low-res clips and sharpen lightly. - Keep every clip's original colour grade. Unify